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10-One-4
10-One-4. The name tells you everything you need to know. Three random numbers set atop a white interface with an ultra-lightweight case and custom minimalist leather band for all-day wearability. This timepiece from designer Tibor Kalman simply gives you the tools you need and holds true to M&Co's motto of “Waste Not a Moment.” Inspired by a sketch from Kalman's wife Maira, its three numerals are all you really need to navigate the day, removing any other redundancies.
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![10-One-4 - Projects Watches](http://projectswatches.com/cdn/shop/files/fiveoclock-IMG_0161.jpg?v=1699643009&width=700)
![10-One-4 - Projects Watches](http://projectswatches.com/cdn/shop/files/1014_whiteangle.jpg?v=1706026353&width=700)
![10-One-4 - Projects Watches](http://projectswatches.com/cdn/shop/products/10-one-4-watch-angle.jpg?v=1706026353&width=700)
![10-One-4 - Projects Watches](http://projectswatches.com/cdn/shop/products/2023012310-1-4-3288copy.jpg?v=1706026353&width=700)
![10-One-4 - Projects Watches](http://projectswatches.com/cdn/shop/products/2023012310-1-4-3276copy.jpg?v=1706026353&width=700)
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![Tibor Kalman](http://projectswatches.com/cdn/shop/collections/tibor-kalman-bg-header_67f845b8-e942-4aeb-93c0-1638f15ef808.jpg?v=1684126939&width=1600)
About the Creator
Tibor Kalman
Founder of the New York-based graphic and product design consultancy M&Co, Tibor Kalman helped change the way people see graphic design. According to the American Institute of Graphic Arts, Kalman was one of the few graphic designers whose accomplishments were legendary within the field and widely known outside, as well. Kalman’s work sought to challenge mundane design thinking and aspired to create unpredictable work.
In addition to his work at M&Co, he also worked as creative director for Interview magazine and as the editor-in-chief of Colors magazine—for which his unique perspective of bold graphic design, typography and juxtaposition of photographs and doctored images has been celebrated throughout the years. Kalman’s unique style and individualistic point-of-view eventually led him to receive the 1999 AIGA medal, recognizing him as the “design profession’s moral compass and its most fervent provocateur.”